Castello di Rivoli Collection

• 리볼리 성 현대미술관의 상설 소장품 · 토리노, 이탈리아

주요 작가

Dennis Oppenheim · Gary Hill · Vito Acconci · Liu Ding · Stan VanDerBeek · Wolfgang Tillmans · Thomas Hirschhorn · Lawrence Weiner · Charlemagne Palestine · Giulio Paolini · 백남준 (Nam June Paik) · Tony Oursler

작품

• ¿Quién puede borrar las huellas? (Who Can Erase the Traces?) — Regina José Galindo 2003
• …IN AS MUCH AS / IN AS MUCH AS… — Lawrence Weiner 1972
• ‘No Number #8 (+ 216 After Augustine’s Confessions)’ — Joseph Kosuth 1989
• ‘Seeing Knowing’ — Joseph Kosuth 2004
• ‘Seeing Reading’ [cobalt blue] — Joseph Kosuth 1979
• ‘Tis Pity She’s a Fluxus Whore — Catherine Sullivan 2003
• “Le Chef-d’œuvre inconnu” — Giulio Paolini 2020
• (Work with no audience) — Jason Dodge 2020
• 02h 36m/-40° — Thomas Ruff 1990
• 1/25 — Giulio Paolini 1965
• 16mm — Steegman Mangrané Daniel 2009
• 16mm Mystery — Christian Jankowski 2004
• 2 Stage Transfer Drawing (Advancing to a Future State) — Dennis Oppeneheim 1971
• 2 Stage Transfer Drawing (Returning to a Past State) — Dennis Oppenheim 1971
• 26’1.1499″ For A String Player — Fluxus 1973
• 7 Fragments for Georges Méliès — William Kentridge 2003
• 9/23/69: Experiment with David Atwood — 백남준 (Nam June Paik) 1969
• A Bit of Matter and a Little Bit More — Lawrence Weiner 1976
• A Conversation — Joseph Beuys 1974
• A Feedback Situation — Dennis Oppenheim 1971
• A First Quarter — Lawrence Weiner 1973
• A Girl Holding a Skull on a Kidney — Liu Ding 2006
• A Journey That Wasn’t — Pierre Huyghe 2005
• À la mode (In Vogue) — Stan VanDerBeek 1959
• A Napoli dopo gennaio (In Naples after January) — Mimmo Paladino 1978
• A New Year — Sadie Benning
• A Place Called Lovely — Sadie Benning 1991
• A Proposal for Syncretism – This Time Without Genocide — Maria Thereza Alves 2018
• A REMOVAL OF THE CORNER OF A RUG IN USE — Lawrence Weiner 1969
• A Second Quarter — Lawrence Weiner 1975

콜리 앱

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